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Atomos Sumo 19" HDR High Bright Studio Monitor RAW/ProRes Recorder

$ 1053.35

Availability: 100 in stock
  • Condition: New
  • Restocking Fee: No
  • Return shipping will be paid by: Seller
  • UPC: 814164020817
  • Refund will be given as: Money Back
  • Custom Bundle: No
  • MPN: ATOMSUMO19
  • Type: Single Screen
  • All returns accepted: Returns Accepted
  • Manufacturer: Atomos
  • Item must be returned within: 30 Days
  • Brand: Atomos

    Description

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    Atomos Sumo 19 inch HDR High Bright Studio Monitor RAW/ProRes Recorder
    Brand New in Original Packaging
    SKU: ATOMSUMO19
    Features
    Professional, 2-in-1 monitor/ recorder
    10-bit LCD monitor panel - Maps Log/PQ/HLG
    Records 12-bit Raw, 10-bit ProRes/ DNxHR up to 4Kp60
    Live Switch and record of up to four 1080/60p channels
    Balanced XLR monitor, record with 48V Phantom
    High Bright 1200nit 19” calibrated 1920x1080 monitor
    Quad SDI and HDMI 2.0 in/out  - No need for converters
    1 year manufacturer's warranty - Extended with registration
    Product Description
    Go HDR! In the field and the studio Sumo’s 19” 1920x1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps Log/PQ/HLG from every popular camera/game console or TV maker to perfectly resolve 10+ stops of HDR in real time. HDR comes to life on this incredible monitor or out to larger displays or TV’s for affordable HDR studio grading from any NLE or grading suite.
    12-bit Raw, 10-bit ProRes/ DNxHR up to 4Kp60
    Capture the RAW output from Sony FS5/ FS7/FS700, Canon C300MKII/ C500 or Panasonic Varicam LT over SDI up to 12-bit 4Kp30 as CDNG or up to 10-bit ProRes 4Kp60 / 2Kp240 depending on the camera’s capability. Pristine quality is preserved at amazing data rates of up to 3.2 Gbps. Video is captured as either Apple ProRes or DNxHR in 10-bit 4:2:2 quality.
    Live Switch and Record of Up to Four 1080/60p Channels, 4 x ISO Record and Playback
    Switching and mixing of a live record and stream with the option of ISO recording of 4xHD channels. Switch between feeds on screen with cueing, cross fade and hard cuts. The switching revolution has begun.
    Balanced XLR Monitor and Record with 48V Phantom
    Eliminate the need for a separate audio recorder by using the full size XLR connections to connect and power external microphones for balanced analogue audio with dedicated meters and adjustments for frame delay and gain. 48V phantom mics or line level audio are all seamlessly synchronized for the most advanced audio features in-built in a monitor today.
    High Bright 1200nit 19” calibrated 1920x1080 monitor
    The extremely bright 1200 nits display means you can accurately monitor, even when outside in full daylight. All monitors drift in color and brightness over time, which is why all high end monitors have calibration, Sumo gives you this reliability for free. Use X-Rite’s i1DisplayPro, the professional’s choice for ongoing accurate HDR and Rec709 monitoring.
    Quad SDI and HDMI 2.0 in/out
    Seamlessly connect any SDI or HDMI device and convert between HDMI 2.0 & 3G Quadlink/6G/12G in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G SDI outputs without the need for converters. HDMI 2.0 supports up to 4Kp60 I/O and the full suite of Atomos latest open protocol 3.0 supporting HDR automation and camera control.
    What's in the Box
    Atomos Sumo 19” HDR High Bright Studio Monitor RAW/ProRes Recorder
    Master Caddy II
    BattWing mounting bracket with 4x screws
    2x Desktop Feet with 4x 1/4” Mounting screws
    AC power supply
    Specifications
    Weight
    Without batteries, media and stand: 5.45kg / 12.0lb
    With stand: 6.0kg / 13.2lb
    Dimensions (W x H x D mm):
    504 x 310 x 63mm, 19.8 inch x 12.2 inch x 2.5 inch (without stand)
    504 x 330 x 180mm, 19.8 inch x 13 inch x 7.1 inch (with stand)
    Construction: Aluminium alloy chassis with built in armor protection
    Mounting Points:
    1/4-20 screw; 4 x top, 4 x bottom, 2 x side
    3/8-16 screw; 2 x top, 2 x bottom, 1 x side
    VESA mount rear
    Power
    Operating power: 75W
    Compatible batteries:
    V-Lock / Anton Bauer via XLR terminal (optional mounting plates available)
    95Wh or larger recommended.
    Input voltage (battery): 14.4V nominal
    Battery time: Depends on Watt Hours specification of battery used
    DC In: 1 x DC in (12 - 16.8V)
    Continuous power (Patent pending): Primary-secondary battery system. Change batteries without losing power. Loop batteries continuously.
    Touchscreen
    Size: 19”
    Resolution: 1920 x 1200
    PPI1: 20
    Aspect ratio: 16:9 native
    Color Gamut: REC709 HDTV
    Look up table (LUT) support: 3D LUT (.cube format)
    Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
    Technology: SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
    HDR
    AtomHDR: Yes
    Supported Log formats: Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
    Panasonic Vlog, JVC JLog, Red LogFilm
    Supported Gamuts:
    Sony SGamut / SGamut3 / SGamut3.cine
    Canon Cinema / BT2020 / DCI P3 / DCI P3+
    Panasonic V Gamut
    Arri Alexa Wide Gamut
    Bit depth: 10-bit (8+2 FRC)
    Brightness: 1200nit (+/- 10 percent at  center)
    HDR input (PQ/HLG): Yes / Yes
    HDR output (PQ/HLG): Yes / Yes
    Video Input/Loop Out
    HDMI: 1x HDMI (2.0)
    SDI: Quad link 4 x 3G SDI* or up to 12G single link SDI
    Signal: Uncompressed true 10-bit or 8-bit 422 (camera dependent)
    Video Output (Play Out)
    HDMI: 1 x HDMI (2.0)
    SDI: 1 x  4K-SDI 12G/6G or HD-SDI 3G/1.5G
    Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
    Supported Loop Out Formats
    HDMI to HDMI
    720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/100/120
    2160p 24/25/30/50/60
    SDI to SDI
    720p 50/60, 1080i 50/60
    1080pSF 24/25/30
    1080p 24/25/30/50/60/100/120
    2160p 24/25/30/50/60
    Video Signal Conversion
    HDMI to SDI
    720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/100/120/200/240
    2160p 24/25/30/50/60
    SDI to HDMI
    720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/100/120/200/240
    2160p 24/25/30/50/60
    Supported Codecs & Frame Rates (Record & Playback)
    Raw Record
    Sony FS5/FS7^^/FS700 CDNG
    4K DCI; 24/25/30p
    4K UHD;
    2K; 24/25/30/50/60/100/120p
    1080; not supported in camera
    Canon C300MKII/C500 CDNG
    4K DCI; 24/25/30p
    4K UHD; 24/25/30p
    2K; not supported in camera
    1080; not supported in camera
    Panasonic VaricamLT CDNG
    4K DCI; 24/25/30p 10/12 bit
    4K UHD; 24/25/30p 10/12 bit
    2K HD; 100/120p 10 bit
    1080 HD; 100/120p 10 bit
    Arri Alexa Mini .ARI
    2880x1620; 24/25/30/50/60p
    2880x2160; 24/25/30/50/60p
    Raw to ProRes / DNxHR
    Sony FS5/FS7/FS700/ ProRes (HQ, 422, LT) /DNxHR (HQX, HQ, SQ, LB)
    4K DCI; 24/25/30/50/60p
    4K UHD;
    2K; 24/25/30/50/60/100/120/200/240p
    1080; not supported in camera
    Canon C300MKII/C500/ ProRes (HQ, 422, LT)/ DNxHR (HQX, HQ, SQ, LB)
    4K DCI; 24/25/30p
    4K UHD; 24/25/30p
    2K; not supported in camera
    1080; not supported in camera
    Panasonic VaricamLT/ ProRes (HQ, 422, LT)/DNxHR (HQX, HQ, SQ, LB)
    4K DCI; 24/25/30/50/60p
    4K UHD; 24/25/30/50/60p
    2K DCI; 100/120/200/240p
    1080 HD; 100/120/200/240p
    Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper)
    Codecs
    Apple ProRes HQ, 422, LT
    AVID DNxHR HQX. HQ, SQ, LB
    Frame rates
    4K DCI; 24/25/30/50/60p
    4K UHD; 24/25/30/50/60p
    2K; N/A
    1080p; 24/25/30/50/60/100^/120^/200/240p
    1080i; 50/60i
    720p; 50/60p
    Onboard Processing
    Pulldown removal:
    24/25/30pSF > 24/25/30p (2:2 pulldown)
    60i > 24p (3:2 pulldown)
    4K UHD downscale for HD monitoringYes - Loop-out and playback (Not available in RAW)
    Audio In/Out (48kHz PCM Audio)
    HDMI: 2 or 8ch 24-bit, camera dependent
    SDI: 12ch 48kHz 24-bit
    Audio:
    2ch balanced XLR analog in/out (direct XLR connection)
    Dynamic range >90dB
    Max signal level +24dBu
    Max analog gain +52dB
    48V Phantom Power for Mic
    Headphone Out:3.5mm
    Built-in Speakers:Yes
    Remote Start/Stop
    HDMI:
    Auto HDMI Trigger
    Supported Protocols - Canon, Sony, Atomos Open Standard
    SDI:SDI trigger camera selectable
    Other: LANC control - Slave
    Playback
    Playlist / Genlock: Yes / Yes
    CDNG (Recorded content): No support
    ProRes (Recorded content): All recorded files can playback. Playback in slow motion >= 100fps
    DNxHR / DNxHD (recorded content): All recorded files can playback. Playback in slow motion >= 100fps
    Recording
    Pre-roll record:Yes (HD 8s, 4K 2s)
    Custom timelapse: Yes
    Meta data tagging:Yes (10 tags available)
    Supported media:  2.5 inch S SD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
    Master caddy case:Master Caddy II (included) 75mm x 105mm x 12mm
    Master caddy dock: 2 .5” SATA to USB 2.0/3.0
    Supported applications
    Supported Applications FCPX/FCP7+ /
    Media Composer 5.0+ / Premiere 5.5+
    EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
    Autodesk Smoke 2015
    XML support: FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
    Shipping
    Payment
    Returns
    Feedback
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