Atomos Ninja V Pro Kit with 5 Inch 4kp60 1000nit HDR Monitor Recorder

Description

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Atomos Ninja V Pro Kit with 5-Inch 4kp60 1000-nit HDR Monitor Recorder
Brand New in Original Packaging
SKU: ATOMNJVP01
Features
Records up to 6K RAW via both HDMI and SDI
Records at up to 12-bit in Apple ProRes RAW
Video inputs up to 4kp60 supported via HDMI or 12G SDI
Configurable SDI for single or dual link inputs
Can toggle between SDI A and B
Play out provides 3 simultaneous outputs
2 x 12G SDI out and 1 x HDMI output
Supports HDMI to SDI signal cross conversion
Locking D-Tap cable and battery eliminator
AtomHDR for Log inputs and 3D LUTs
Product Description
The Ninja V Pro Kit has been designed to bridge the gap between compact cinema and mirrorless cameras that can output RAW via HDMI or SDI. Pro Kit also pushes the limits of these cameras, recording up to 12-bit RAW externally on the Ninja’s onboard SSD. Pro Kit also provides the ability to cross covert signals providing a versatile solution for monitoring and playout/review.
Can Work as a HDMI/SDI ProRes Monitor-Recorder
No RAW, no problem. The Ninja V monitor-recorder is a flexible tool that can work as a HDMI/SDI ProRes monitor-recorder. Unify battery management and excess weight as the Pro Kit is designed to be powered via DTap from your camera battery or workstation. Pro Kit also includes an AtomX 5-inch Sunhood providing increased monitoring options outdoors and reduced ambient light for when monitoring in HDR.
Perfectly Sized and Full of Amazing Features
The robust aluminum 5-inch monitor-recorder allows for a compact workstation set-up for camera owners and operators to work with all the latest cameras. Perfect for run and gun productions, documentary filmmaking, and for those close-up shots that require the camera operator to be flexible or mobile. The Ninja V’s compact 5-inch 1000-nit screen is designed to provide a foundation for scalability and modularity. Combined with the AtomX SDI module and some serious tuning under the hood the Pro Kit provides the ability to record RAW via SDI from some of the best compact cinema cameras on the market.
More Powerful and Versatile I/O for Ninja V
Adding dual 12G SDI connectivity expands the compatibility with other cameras to provide offboard 10-bit 422 recording in edit-ready codecs or as proxy files from RED or ARRI cameras allowing the file naming and timecode from the camera to also be carried via SDI to the recorded files. The Ninja V also provides support for RAW over HDMI from our ever-growing roster of mirrorless cameras including the Sony Alpha 7S III, Z CAM E-2 Series, Nikon Z-Series, LUMIX S Series, Olympus OM-D EM-1X , Olympus OM-D M1 MkIII, and more.
The Flexibility to Suit Every Application
In playback mode the Ninja V Pro Kit provides a lossless signal distribution with two 12G SDI and one HDMI 2.0 for simultaneous outputs up to 4Kp60. When used in combination with the Ninja’s playlist functionality it provides a fast and convenient way to review content or show a highlight reel. RAW inputs can also be de-bayered in real time and non-standard high resolutions are processed to SMPTE standard output formats. Convert to HLG, PQ or your choice of 3D LUT can also be applied allowing for RAW or LOG content to be viewed with the correct application of artistic intent.
Accurate and Reliable Daylight Viewable HDR or SDR
With 1000nits, high pixel density the 5-inch screen provides clear and accurate monitoring for HDR and SDR. Using the AtomHDR engine the Ninja V provides a managed color pipeline, matching the camera Gamma and Gamut on the input and select to view this as 709, Log with a 3D LUT or utilize the engine to accurately map the dynamic range of your camera LOG to HLG or PQ HDR standards. The Ninja V focuses on image integrity but to increase the perceived brightness in the most difficult bright conditions or to dial out ambient light to increase the view in HDR, the Pro Kit includes the AtomX 5-inch Sunhood. Simply clip on the mount's frame and insert the hood, even leave the frame in place to provide added protection for your monitor.
HDMI-to-SDI Cross Conversion
Adding the SDI module to the Ninja V Platform more than doubles its I/O functionality. To complement the inputs, HDMI or SDI connections can be cross converted, DCI cropped and 4k to HD down converts for video signals to provide a bridge between equipment such as EVFs, wireless TX/RX without the need for additional converters.
What's in the Box
Atomos Ninja V Pro Kit with 5-Inch 4kp60 1000-nit HDMI and SDI In/Out HDR Monitor Recorder
Ninja V with SDI RAW Pre-Activated
AtomX SDI Module
Battery Eliminator
D-Tap Cable
AtomX 5-inch Sunhood
Master Caddy II
International DC Power Supply
1-Year Warranty (Can be Extended to 3 Years on Product Registration)
Specifications
Atomos Ninja V Pro Kit with 5-Inch 4kp60 1000-nit HDMI and SDI In/Out HDR Monitor Recorder
Physical Specifications
Dimensions (W x H x D mm): 151 x 91.5 x 31mm
Weight: 360g / 12.7oz
Mount points: 1 x Anti rotation 1/4-inch / 3/8 top and bottom
Construction and Control
Body: Aluminium with ABS plastic
Cooling: Active
Tally light: Record Tally on rear
AtomXpansion slot: Yes
Power
Input voltage (battery): 6.2V to 16.8V
Operating power: 5.8-7.2v
Compatible batteries: NPF L series
Battery run time:
5200mAh - up to 2 hours (monitor and record 4K 60p)
7800mAh - up to 3 hours (monitor and record 4K 60p)
DC in: Via battery eliminator
Display
Touchscreen: SuperAtom IPS panel (capacitive touch)
Size: 5.1-inch
Resolution: 1920 x 1080
PPI: 427
Bit depth: 10-bit (8+2 FRC)
Backlight: Edge lit
Aspect ratio 16:9
Color Gamut: Rec.709
Technology
AtomHDR Technology: Log to Native / Rec709/ 3D Lut / HLG / PQ
3D Lut support: Diplay / Preview / Loop out
HDR Monitoring Technology: HLG and PQ
HDR output Conversion: Log / HDR to HLG / PQ / Dolby Vision
Gamma:
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3,
Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320
/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /
LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog,
JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm
Flog, PQ (HDR10), HLG, Nikon N-Log
Gamut:
Bt2020, DCI P3, PDCI p3 65
Sony SGamut / SGamut3 / SGamut3.cine /
Canon Cinema / DCI P3 / DCI P3+ / BT2020
Panasonic V Gamut
Arri Alexa Wide Gamut
Rec709
JVC LS300
Red DragonColor / DragonColor2 / RedColor2 /
RedColor3 / RedColor4 / RedWideGamut
Video Input
HDMI: 1 x HDMI (2.0) 4kp60
HDMI RAW: Yes
SDI: 2 x 12G SDI Backward compatible via included AtomX SDI module
SDI RAW: Yes (NOTE: Sony Fs700, FS5, FS7 NOT supported)
Signal (camera dependent): Uncompressed true 10-bit or 8-bit 422
LTC (Record Mode Only): Optional Wireless RF via SYNC module
Video Output
HDMI: 1 x HDMI (2.0) 4kp60
SDI (Play Out): 2 x 12G SDI via included AtomX SDI module - level A and B selectable
Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
Video Signal Conversion
HDMI to SDI: Yes (video and RAW)
SDI to HDMI: Yes (video and RAW)
Audio In/Out
Audio quality: 24/48kHz
Audio codec: PCM
HDMI: 8ch 24-bit, input dependent
SDI: 12ch 24-bit, input dependent
Analogue audio in: 3.5mm 2ch
Headphone out: 3.5mm 2ch
Supported Codecs and Frame Rates (Record and Playback)
Supported base resolution and FPS:
6K: RAW Only up to 30p via HDMI and SDI (Camera dependant 5.9k HDMI and 5.7k SDI)
4K DCI: 23.98/24/25/29.9/30/50/59.94/60p
4K UHD: 23.98/24/25/29.9/30/50/59.94/60p
2K DCI: 23.98/24/25/29.9/30/50/59.94/60p / FX9 RAW up to 180p
1080p: 23.98/24/25/29.9/30/50/59.94/60/100/120p
1080i: - 23.98/24/25/29.9/30/50/59.94/60i
720p: 50/59.94/60p
PsF - converted to P and looped out PsF
Anamorphic: 3.5K: RAW up to 60p (from supported cameras only)
Apple ProRes Raw: ProRes RAW HQ, ProRes Raw
Apple ProRes: ProRes LT, 422, HQ
Avid DNx (Requires Free codec activation): DNxHD 36, 145, 220, 220x DNxHR HQX. HQ, SQ, LB
Playback
Playlist / Genlock / LTC: Yes / No / No
Loop: Yes with in and out markers
Playlist: Yes, Create customer play lists from full or sub clips
Apple ProRes Raw: Yes, Recorded clips
Apple ProRes: Yes, with Linear PCM audio
Avid DNx (Requires Free codec activation): Yes, with Linear PCM audio
Recording Functions and Media
Pre-roll record: Yes (HD 8s, 4K 2s) - Not available in RAW
Timelapse: Yes
Supported media: 2.5-inch SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
Media type: Master Caddy II / SSDmini
File Naming: Scene, Shot, Take / File name via SDI for ARRI and RED
Supported Editing applications: All NLE applications that support Apple ProRes, ProRes RAW and Avid DNxHDR/HD in .MOV
On Screen Tools
Scopes:
Luma Waveform
RGB Parade
Vector Scope\
Magnification:
1 x Zoom
2 x Zoom
Focus peaking: Colour slected / threshold setting / colour / Mono / edges only
False color: Yes - with scale
Zebra: Yes - adjustable
Isolate color channel: Blue Only
Cut Tag Edit markers: Yes - Playback mode
Cine Frame Guides: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides: 9:16, 1:1, 191:1, 4:5
Safe areas: Action and Graphic
Grid markers: 9 Grid
Anamorphic de-squeeze: 1.25x 1.33x , 1.5x ,1.8x ,2x
Display Flip: Vertical Only
3DLut 50/50: Yes - on screen preview
Timecode
HDMI: Yes
SDI: Yes
Time off Day: Yes
Wireless RF: Optional Via Sync Module
Bluetooth LE: Optional Via Sync Module
Onboard Processing
Pulldown removal: 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown)
4K UHD downscale for HD: Yes - On Loop-out
DCI Crop: yes - On Loop out
Remote Control
HDMI:
Auto HDMI Trigger
Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard
SDI: SDI Trigger
LANC 2.5mm Jack: LANC control and calibration via optional USB to serial cable
Shipping
Payment
Returns
Feedback
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